by zombietattoo-deactivated2010081 September 9, 2009

Ryan Adams:
“Call Me On Your Way Back Home”

(via tdubbs026)

I’ll be the first to admit these lyrics are overwrought and melodramatic, but that’s how I feel this afternoon. Yes, our time together was too short, and while I might not really want to die without you, I’m certainly miserable in your absence. My new mantra? Two more weeks and I’ll be in the Big D.

And you can take me to the suburb on which Arlen, TX is based. And maybe I can stand in an alley with some guys and drink beer.

But only if you’ll stand there with me.

by zombietattoo-deactivated2010081 September 4, 2009

She’ll be here in an hour. With her daughter. I’m so nervous I’m rattling around like my late mother’s Anacin bottle — the one that made more noise than the 5th Infantry marching in full battle gear.

Yikes.

by zombietattoo-deactivated2010081 September 3, 2009

The Lovin’ Spoonful:
“Darlin’ Companion”

(via DesmonJones)

I came to this little song some years ago via, of all things, a Woody Allen film. I realize Allen’s films are best known for their standards- and Dixieland jazz-laden soundtracks, but in the very early days, with a little-known (hysterically funny) movie, in which Allen took a Japanese spy movie and redubbed it, the soundtrack belonged to the Lovin’ Spoonful. The band even appears briefly in a discotheque scene — no, really.

The song isn’t really country. It isn’t rock and roll. It likely wouldn’t find an audience today, not even with all the strange indy outlets that exist in all their varied permutations and combinations; but I liked it the first time I heard it and I love it today for its quirky guitars and straight-up lyrics. I hope you’ll like it too.

by zombietattoo-deactivated2010081 September 3, 2009
This is a photo of my favorite chair. It has now been retired from the front room because the upholstery is eroded by time, faded by the sun and scarred by cats’ claws. I recall when you were last here, napping in the chair, saying it “wrapped you up, like a warm embrace.”

Some scorn the notion that a relationship, like an old overstuffed chair, might be comfortable. Not me. When I sit in this chair, tattered and worn as it is, I feel safe. I’ve launched a thousand journeys from this place, a good book in hand, feet propped on the ample ottoman.

No matter how many others have occupied this space, you came and owned it, curling up and making it your possession. Maybe ownership is the secret of being comfortable in a place.

If others insist my words are stale, my technique is tried, my heart has held a number of previous occupants, I can only answer guilty as charged. I’m 54 years old. I’d be a fool to say I’ve never been this way before.

Here’s the difference. Others have rented the space. You own it.

This is a photo of my favorite chair. It has now been retired from the front room because the upholstery is eroded by time, faded by the sun and scarred by cats’ claws. I recall when you were last here, napping in the chair, saying it “wrapped you up, like a warm embrace.”

Some scorn the notion that a relationship, like an old overstuffed chair, might be comfortable. Not me. When I sit in this chair, tattered and worn as it is, I feel safe. I’ve launched a thousand journeys from this place, a good book in hand, feet propped on the ample ottoman.

No matter how many others have occupied this space, you came and owned it, curling up and making it your possession. Maybe ownership is the secret of being comfortable in a place.

If others insist my words are stale, my technique is tried, my heart has held a number of previous occupants, I can only answer guilty as charged. I’m 54 years old. I’d be a fool to say I’ve never been this way before.

Here’s the difference. Others have rented the space. You own it.

by zombietattoo-deactivated2010081 September 1, 2009

Tonight I’ll sew a cover of moonbeams in a quilting bee with elves. We’ll stitch the scraps together with threads from the narrative of her wishes, and the fabric will be as fair as the whispered lullaby of a ladybug singing her children to sleep. I’ll cover her lightly, kiss her forehead, and guard the borders of her dreams, daring ogres and dragons to set foot within her gates.

All the world is governed by the moon, everything tidal, including this scrap quilt of moonbeams rocking her gently as she fades away. I’ll feel no jealousy when the sandman closes her eyes. Shh. We’re in this together, the sandman and I. We are fashioning sleep.

by zombietattoo-deactivated2010081 August 31, 2009

John Prine and Steve Goodman:
“Souvenirs”

(via translateslowly)

There’s really no commentary necessary here, except to say these are two of my favorite singer/songwriters. Stick with the video until it ends and the message should become clear. (Steve Goodman, the short fellow, died at 36 after battling leukemia most of his life. I cried off and on all day when I learned of his death some years ago. After seeing this video I remember why.)

by zombietattoo-deactivated2010081 August 29, 2009

I’m an Air Force brat. In my first 16 years I lived in 21 different homes. I never had a relationship in my first 21 years that lasted longer than three — with the sole exception of my parents’ families, who were people we saw in passing every summer or two or so. Those were less relationships than curiosities.

My nomadic life made me eternally suspicious of others and too willing to quit when things got difficult. It also left a long, messy trail of badly broken relationships. At 54 I am all nettles and thorns. The handful of long-term friendships I possess are the result of others working very hard and tolerating a lot of bull-in-the-china-shop blundering to make them possible. I’m not bragging about this. It’s simply a fact of my life. As my brother said a couple of nights ago over the telephone, “We don’t know how to have long term relationships. It’s something you learn as kids and we were never able to learn it.”

Of course, I can’t be a kid forever. At some point I became responsible for my life and its ensuing mess. So I make the next statement to nearly everyone I meet: “It’s hard damned work to be my friend.” I’m not kidding. I can be a real asshole. Ask any of a number of people who would willingly queue up to testify against me.

Which is all the more reason I am surprised when those who have stood tough and stuck out the hardships come quietly (or not so quietly) to my defense. Spend a Friday night here and you’ll find a group of individuals who occasionally still shake their heads in disbelief at a faux pas, but are as much a part of me as my own family.

Travel a few miles south into Alabama and let me introduce you to one of the finest humans I’ve ever known. Twenty years of hardcore ups and downs have led us to the place where we never end a conversation without saying, “Hey, I love you, man.” Sometimes one or the other will chuckle and say, “But not in a gay way.” I like to think these are the people who know the real me, the one behind the facade and the facade’s facade and the one after that, like a hall of mirrors.

In all the time we’ve known one another not a day goes by when I am not thankful you saw something beneath all the exterior brambles and thistles that was valuable to you. I’m glad you continue to find it, for whatever reason. The ride is never easy, but I hope it’s worthwhile.

Anyway, I said all this to use a very bad golf analogy. You must be brilliant on the links, because your approach shot in this match has been sublime.

Drunk

by zombietattoo-deactivated2010081 August 28, 2009

You’re right about “King of the Hill.” I probably never would have seen an episode without your encouragement. Now it’s one of my favorite things. But I like it as much for the peripheral conversations as I do for the show itself. Like this:

“Wow. They’re drunk as bicycles.”

“Drunk as what?”

“Bicycles.”

“I don’t get it.”

“Have you ever seen a bicycle try to stand up by itself?”

“Oh. They’re getting in the garbage can together!”

Mutual laughter.

“What really matters is whether they get out together. They’re going to have one hell of a hangover.”

“Yep. He’s getting orange juice.”

I’ve been that drunk — and that hung over — and from experience I can tell you the real test of true love is this:

You’re both so hung over that your hair hurts and you can’t pass a bathroom without trying to throw up the corn and carrots your body must hold in a little reserve organ for just such an occasion. There’s a limited amount of coffee, orange juice and aspirin.

True love is when you share all of them. Including the commode.

Glass

by zombietattoo-deactivated2010081 August 27, 2009

I don’t have many words this evening. They escape me as the orange cat bolts when I open the back door. They have business elsewhere, perhaps at the ends of your fingers treading the keyboard as I listen to the uneven rhythm 800 miles away: Another miracle of modern technology.

I’ve always had a glass heart. Brittle. Fragile. Dangerous when shattered into shards. Better to be distant and aloof with a glass heart. Best not to be transparent. Best be a good general, keep up the fortresses, make plans in secret and keep them secret.

A glass heart may be easily broken, but also lacks nerve endings and feels no pain. People come, people go. It’s a fact of life. No big deal. Brokenhearted today, superglue tomorrow. On to the next round.

So you come as dark-haired Tinkerbelle, playing voodoo magic wand concertos, turning my glass heart into flesh and blood, tougher, yes, but raw with new nerve endings and sensitive to the touch. This is life lived on the edge, full of pitfalls and snares, unpredictable and perilous; but you linger with child’s hands, your touch tender and soothing, and it’s all okay.

As e.e. cummings wrote, “nobody,not even the rain,has such small hands”.

by zombietattoo-deactivated2010081 August 26, 2009

Joni Mitchell: ”Blue”
(via henhenstoll)

Holly: Listen. You know those days when you get the mean reds?
Fred: The mean reds? You mean like the blues?
Holly: No. The blues are because you’re getting fat or because it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid and you don’t know what you’re afraid of. Do you ever get that feeling?

A friend once wrote in an email, “If you ever call me and say, ‘I’ve listened to Joni Mitchell’s Blue 50 times today,’ I’ll know you’re about to commit suicide.” I answered him, “You’d better throw a party. Blue uplifts me. It never makes me suicidal. Worry if I get the mean reds and I’m nowhere near Tiffany’s.”

It was strange reading your post this evening, because all day long I’d been thinking of blues and smiling over them. Blue is sky, and the Irving Berlin standard “Blue skies smiling at me….” Blue is Miles Davis chasing down the voodoo in Kind of Blue. It’s Picasso strumming a guitar through a blue period on his way to bursting with cubist creativity. It’s me standing on White Beach in Okinawa, laughing with friends, smoking reefer and wondering whether the water could get any bluer. It’s Tommy Holcomb’s unclouded eyes. Blue is wonder and delight.

You never give me the mean reds, and if I am blue in your absence, it is only a temporary sadness I know will be replaced by an explosion of color and creativity when we are together. Blue is the muse saying everything must be transparent and understood before art brings it into existence.

Blue, here is a shell for you
Inside you’ll hear a sigh
A foggy lullaby
There is your song from me….